Three months. One camera. No going back.
Summer 1989. Vivienne Cross is chasing The Cure across Europe with a Eurail pass, a Pentax, and a half-finished dream — and telling herself it’s about the photographs.
It isn’t.
Then her shutter finds Velvet Static.
Jest Devine is all smudged kohl and sharper tongue, a velvet-voiced wreck of a frontman who...
Read more